Design
/Brand
Content
Post-
Production
Television
Edit
Production
Mix
Through advanced dialogue repair, spectral restoration, and creative sound design, I deliver a complete, solution. From frame accurate ADR to immersive Foley environments, every element is built to merge seamlessly with the picture and support narrative tension.
When production sound falls short, I provide a full-spectrum solution, replacing lost or unusable recordings with studio-crafted dialogue, ambient layers, and original Foley.
Cinematic clarity, spatial depth, and mix consistency that transform problematic recordings into cohesive, film-ready experiences.
→ Spectral repair, iZotope RX, Waves Suite, Ozone and FabFilter Suite.
→ dialogue leveling, EQ matching, and dynamic range control for tonal bal.
→ Restoration of clipped or low-level dialogue through harmonic reconstruction and multi-band processing and AI.
Sound Design
→ Integration of diegetic and non-diegetic layers
→ Sound replacement/creation production effects (Cloth, movement, etc…).
→ Creation of atmospheres, transitions, and emotional accents from field recordings, custom samples, and modular synthesis.
Foley Recording & Design
→ Creative use of studio re-amping for natural outdoor acoustics.
→ Synch to picture with frame-accurate alignment and spatial consistency.
→ Recording and layering of Foley elements to enhance texture and realism.
Post-Synchro (ADR)
→ Frame-accurate lip-sync using , SMPTE timecode, and reference video.
→ Direction and recording of actors for ADR sessions.
→ Acoustic matching between studio ADR and on-location ambience.
Re-Recording Mix
→ Dynamic scene automation to support emotional flow and spatial depth.
→ Final mixing in Pro Tools with calib. monitoring environment (85 dB SPL).
→ Balancing dialogue, music, and FX for film festival and streaming loudness standards (EBU R128 / ITU BS.1770-4).
Master Delivery
→ Loudness and peak normalization for film format or broadcast delivery.
→ Final exports: Stereo, M&E, DME stems, and 24-bit / 48 kHz WAV.
→ Quality-control verification and file prep for festival submissions and international distribution.
Design
/Brand
Content
Each element, rhythm, tone, texture, silence, is chosen to communicate personality, trust, and distinction across all media.
Whether for high-end commercial campaigns or institutional films, I create cohesive sonic universes that strengthen the connection between audience and message.
→ Full in-house creation of original music, from concept to final master.
→ Integration of musical motifs and tonal palettes aligned with brand ID.
→ Hybrid workflow combining analog synthesis, acoustic instruments, and modern production tools (Ableton Live, Logic Pro, UAD, FabFilter, Ozone).
Sonic Branding & Product Sound Design
→ Design of unique auditory signatures for physical and digital products.
→ Sound concept development for objects and interactions, enhancing perceived quality and emotional engagement.
→ Tailored audio strategies for corporate identity and campaign consistency.
Commercial & Corporate Sound Design
→ Soundtracks for advertising, social media, and institutional videos.
→ Reinforcement of narrative pacing and visual rhythm.
→ Adaptation for multi-platform delivery (TV, online, cinema, mobile).
Voice Recording & Voice-Over
→ Professional recording and editing of voice-overs for commercials, etc.
→ Broadcast-ready vocal clarity with precise tone direction and acoustic treatment for a polished, natural delivery.
Mixing & Mastering
→ Loudness normalization for multi-channel output.
→ Final balancing for music, voice-over, and effects in broadcast format.
→ Cohesive tonal design ensuring continuity across brand content and platforms.
At Revolver Studio, in Paris towards the end of the 2000s I Started mixed programs for France Télévisions and recorded voice-overs for network broadcasts, maintaining broadcast loudness compliance and tonal continuity across multiple formats.
→ Loudness normalization and compliance with Level standards.
→ TV mix on SSL and Avid systems (Stereo) for magazine shows, documentaries, and short formats.
Voice-Over Recording
→ Studio recording and editing voice-overs for TV and streaming networks.
→ Natural tone and dynamic control optimized for clarity and presence in broadcast environments.
Editorial Collaboration
→ Efficient workflow for tight broadcast deadlines and multi-version delivery.
→ Close coordination with video editors to design sound layers supporting visual rhythm and journalistic pacing.
Final Delivery
→ Quality control for broadcast and web streaming standards.
→ Delivery of M&E, full mix, and dialogue-only stems at 24-bit / 48 kHz WAV.
I contributed to the multi-layered sound capture workflow over a near-three-hour live performance for about more than 50 representation, with on-stage musicians, video Broadcast, Wifi Audio technology and complex stage mechanics.
In addition, I have recorded interviews and podcast captures for ARTE, and carried out full editing and delivery workflows in a studio environment to deliver clean, broadcast-ready audio for Individual captations and institutional productions.
→ High-fidelity recording of live performances with multi-mic arrays, wireless integration (e.g., WiFi link to rotating stage) and synchronization with video playback.
→ Real-time sound balancing for instrumental ensembles and spoken parts within evolving stage geometry.
Post-Production Editing & Audio-Visual Integration
→ Seamless editing and alignment of captured audio to video files, including handling of live musical segments, ambient sound and dialogue transitions.
→ Multi-track reconstruction and replacement of problematic segments (drop-outs, bleed, stage noise) ensuring final integrity for archival/theatrical release.
Final Mix & Broadcast Ready Delivery
→ Mixing of live theatre captations into stereo or surround formats, optimized for streaming, broadcast or archive.
→ Master delivery in appropriate broadcast-compliant formats (24-bit / 48 kHz WAV, compliant with EBU R128 / ITU BS.1770-4) and multi-stem exports (dialogue, music, effects) for versatile downstream use.
Session Management & Delivery
→ Pro Tools-based session architecture for multi-track live performances, podcasts, and interview series.
→ Spectral cleanup, dialogue alignment, and ambient restoration using iZotope RX 11, Ozone 11, and FabFilter Pro Suite.
â Developing complete musical works from the initial concept to a fully structured production, spanning electronic, hybrid and modern genres.
Professional Mixing Delivery
â Providing clean, detailed and well-balanced mixes, meticulously tailored to the artistic and sonic identity of each project.
Studio Recording Sessions
â Conducting high-precision recording sessions for artists and vocalists, supported by expert guidance and an optimized technical workflow.
Vocal Recording & Editing
â Capturing expressive, studio-grade vocals and enhancing them through advanced editing, tuning and audio processing techniques.
Remixes & Creative Sound Design
â Transforming existing tracks, designing innovative sound textures and developing distinct sonic identities.
Live Set Hybride
â Designing and performing hybrid live sets that blend electronic elements, live arrangement and real-time sound manipulation.
By the mid-2000s, I focused on music production, training intensively and working on hybrid projects, including collaborations with Valerian Hughes and Galak Spiritual.
In the early 2010s, I moved to Berlin, developing my producer and live-performance persona âLansky le vrai.â I create a wide range of electronic music and perform hybrid analog/digital live sets in clubs, delivering dynamic dancefloor experiences.
I hold a diploma in Mixing Techniques from SAE, enabling me to professionally arrange, mix, and finalize tracks across genres.
Music Producer