AUDIO PORTFOLIO volume_off Sound
Design
/Brand
Content [Signature] Projects [ 01 / 05 ] volume_off volume_off [Narrative] [ 02 / 05 ] Film
Post-
Production Behind the Scenes volume_off volume_off Broadcast-
Television [Signal] ON AIR [ 03 / 05 ] volume_off volume_off Live/ Podcast -
Edit [Instant] On Stage [ 04 / 05 ] volume_off volume_off Music
Production
Mix [sky is the limit] Dive In [ 05 / 05 ] volume_off volume_off Film Post-Production CONTACT My post-production workflow restores, enhances, and reconstructs production audio to meet broadcast and Numeric standards.

Through advanced dialogue repair, spectral restoration, and creative sound design, I deliver a complete, solution. From frame accurate ADR to immersive Foley environments, every element is built to merge seamlessly with the picture and support narrative tension.

When production sound falls short, I provide a full-spectrum solution, replacing lost or unusable recordings with studio-crafted dialogue, ambient layers, and original Foley.

Cinematic clarity, spatial depth, and mix consistency that transform problematic recordings into cohesive, film-ready experiences. Go Back CONTACT Dialogue Editing
→ Spectral repair, iZotope RX, Waves Suite, Ozone and FabFilter Suite.
→ dialogue leveling, EQ matching, and dynamic range control for tonal bal.
→ Restoration of clipped or low-level dialogue through harmonic reconstruction and multi-band processing and AI.

Sound Design
→ Integration of diegetic and non-diegetic layers
→ Sound replacement/creation production effects (Cloth, movement, etc...).
→ Creation of atmospheres, transitions, and emotional accents from field recordings, custom samples, and modular synthesis.

Foley Recording & Design
→ Creative use of studio re-amping for natural outdoor acoustics.
→ Synch to picture with frame-accurate alignment and spatial consistency.
→ Recording and layering of Foley elements to enhance texture and realism.

Post-Synchro (ADR)
→ Frame-accurate lip-sync using , SMPTE timecode, and reference video.
→ Direction and recording of actors for ADR sessions.
→ Acoustic matching between studio ADR and on-location ambience.

Re-Recording Mix
→ Dynamic scene automation to support emotional flow and spatial depth.
→ Final mixing in Pro Tools with calib. monitoring environment (85 dB SPL).
→ Balancing dialogue, music, and FX for film festival and streaming loudness standards (EBU R128 / ITU BS.1770-4).

Master Delivery
→ Loudness and peak normalization for film format or broadcast delivery.
→ Final exports: Stereo, M&E, DME stems, and 24-bit / 48 kHz WAV.
→ Quality-control verification and file prep for festival submissions and international distribution. Teaser - Films CONTACT Sound
Design
/Brand
Content [Signature] CONTACT
 From cinematic advertising to corporate storytelling, I design full sonic ecosystems: original music, product sound identity, and spatial sound design that extend the brand’s visual language into an auditory experience.

Each element, rhythm, tone, texture, silence, is chosen to communicate personality, trust, and distinction across all media.

Whether for high-end commercial campaigns or institutional films, I create cohesive sonic universes that strengthen the connection between audience and message.
 CONTACT
 Go Back Music Composition & Production
→ Full in-house creation of original music, from concept to final master.
→ Integration of musical motifs and tonal palettes aligned with brand ID.
→ Hybrid workflow combining analog synthesis, acoustic instruments, and modern production tools (Ableton Live, Logic Pro, UAD, FabFilter, Ozone).

Sonic Branding & Product Sound Design
→ Design of unique auditory signatures for physical and digital products.
→ Sound concept development for objects and interactions, enhancing perceived quality and emotional engagement.
→ Tailored audio strategies for corporate identity and campaign consistency.

Commercial & Corporate Sound Design
→ Soundtracks for advertising, social media, and institutional videos.
→ Reinforcement of narrative pacing and visual rhythm.
→ Adaptation for multi-platform delivery (TV, online, cinema, mobile).

Voice Recording & Voice-Over
→ Professional recording and editing of voice-overs for commercials, etc.
→ Broadcast-ready vocal clarity with precise tone direction and acoustic treatment for a polished, natural delivery.

Mixing & Mastering
→ Loudness normalization for multi-channel output.
→ Final balancing for music, voice-over, and effects in broadcast format.
→ Cohesive tonal design ensuring continuity across brand content and platforms.
 Mix / TV Post-Production CONTACT In the early 2000s Trained in professional auditoriums at Centre Ville TV on SSL consoles and Pro Tools, I developed a workflow dedicated to seamless collaboration between video editing and sound. From editorial coordination to the final mix, each step supports storytelling and on-air consistency.

At Revolver Studio, in Paris towards the end of the 2000s I Started mixed programs for France Télévisions and recorded voice-overs for network broadcasts, maintaining broadcast loudness compliance and tonal continuity across multiple formats.

 Go Back Broadcast Mixing
→ Loudness normalization and compliance with Level standards.
→ TV mix on SSL and Avid systems (Stereo) for magazine shows, documentaries, and short formats.

Voice-Over Recording
→ Studio recording and editing voice-overs for TV and streaming networks.
→ Natural tone and dynamic control optimized for clarity and presence in broadcast environments.

Editorial Collaboration
→ Efficient workflow for tight broadcast deadlines and multi-version delivery.
→ Close coordination with video editors to design sound layers supporting visual rhythm and journalistic pacing.

Final Delivery
→ Quality control for broadcast and web streaming standards.
→ Delivery of M&E, full mix, and dialogue-only stems at 24-bit / 48 kHz WAV.

 Revolver Studio CONTACT
 Live/ Podcast Edit CONTACT Having worked in the sound engineer team at the Schaubühne Berlin for the production of “Das Leben des Vernon Subutex 1" Directed by Thomas Ostermeier, which combined live music, video projections and a rotating stage configuration.

I contributed to the multi-layered sound capture workflow over a near-three-hour live performance for about more than 50 representation, with on-stage musicians, video Broadcast, Wifi Audio technology and complex stage mechanics.

In addition, I have recorded interviews and podcast captures for ARTE, and carried out full editing and delivery workflows in a studio environment to deliver clean, broadcast-ready audio for Individual captations and institutional productions.
 Go Back Live Capture & Multi-Channel Workflow
→ High-fidelity recording of live performances with multi-mic arrays, wireless integration (e.g., WiFi link to rotating stage) and synchronization with video playback.
→ Real-time sound balancing for instrumental ensembles and spoken parts within evolving stage geometry.

Post-Production Editing & Audio-Visual Integration
→ Seamless editing and alignment of captured audio to video files, including handling of live musical segments, ambient sound and dialogue transitions.
→ Multi-track reconstruction and replacement of problematic segments (drop-outs, bleed, stage noise) ensuring final integrity for archival/theatrical release.

Final Mix & Broadcast Ready Delivery
→ Mixing of live theatre captations into stereo or surround formats, optimized for streaming, broadcast or archive.
→ Master delivery in appropriate broadcast-compliant formats (24-bit / 48 kHz WAV, compliant with EBU R128 / ITU BS.1770-4) and multi-stem exports (dialogue, music, effects) for versatile downstream use.

Session Management & Delivery
→ Pro Tools-based session architecture for multi-track live performances, podcasts, and interview series.
→ Spectral cleanup, dialogue alignment, and ambient restoration using iZotope RX 11, Ozone 11, and FabFilter Pro Suite.
 CONTACT Music Production /Mix CONTACT Music Production & Arrangement
→ Developing complete musical works from the initial concept to a fully structured production, spanning electronic, hybrid and modern genres.

Professional Mixing Delivery
→ Providing clean, detailed and well-balanced mixes, meticulously tailored to the artistic and sonic identity of each project.

Studio Recording Sessions
→ Conducting high-precision recording sessions for artists and vocalists, supported by expert guidance and an optimized technical workflow.

Vocal Recording & Editing
→ Capturing expressive, studio-grade vocals and enhancing them through advanced editing, tuning and audio processing techniques.

Remixes & Creative Sound Design
→ Transforming existing tracks, designing innovative sound textures and developing distinct sonic identities.

Live Set Hybride
→ Designing and performing hybrid live sets that blend electronic elements, live arrangement and real-time sound manipulation. Go Back Since the late 90s, I have been active in the Parisian Hip-Hop scene, forming my first rap crew, participating in cyphers, and collaborating with artists from collectives like Sexion d’Assaut and Neochrome 3.

By the mid-2000s, I focused on music production, training intensively and working on hybrid projects, including collaborations with Valerian Hughes and Galak Spiritual.

In the early 2010s, I moved to Berlin, developing my producer and live-performance persona “Lansky le vrai.” I create a wide range of electronic music and perform hybrid analog/digital live sets in clubs, delivering dynamic dancefloor experiences.

I hold a diploma in Mixing Techniques from SAE, enabling me to professionally arrange, mix, and finalize tracks across genres.


    Go Back Resume in English Senior Sound Engineer/ Designer
    Music Producer     MATHIEU MARDOUKHAEV     All Projects Link Fb Contact Film Post-Production Branding / Sound Design TV / Broadcast Live Captation / edit Music Prodcution / Mix